I’d had the name Lloyd Llewellyn ever since I was a little kid, because in the old Superman comics, as you’ll recall, they had this weird obsession with […]
The sincerity, stubbornness, purity and pollution of art seems to be useful and essential and some kind of mediated divine invasion.
I don’t have much choice in what I do, so I guess I’ll just keep writing and drawing and then I’ll regret everything and die.
Creating a movie or a book or a comic, it’s not a mathematical equation. 2 plus 2 doesn’t always equal 4. It can equal 0 or a hundred. […]
Magneto’s an old terrorist bastard. I got into trouble – the X-Men fans hated me because I made him into a stupid old drug-addicted idiot. He had started […]
When I was doing The Invisibles, I was spending all my money from Arkham Asylum doing all the things I’d never done as a Presbyterian boy. You freak […]
In Kathmandu there’s this temple with 365 steps, one for each day of the year, and apparently if you can go up in a single breath, you’re guaranteed […]
When I was writing The Invisibles, I thought, If I’m going to be sitting in the house writing all day, then on weekends I want to look like […]
I prefer to work out my thoughts on the page and to challenge my own certainties by creating characters who disagree with me.
I’m probably the quintessential hack writer. I don’t get inspirations as such. And when I don’t have something to write, I’m not thinking about it at all. But, […]
I really think comics are more fun when they play to their strengths, and do the things that movies can’t do, and go to places in the imagination […]
Once I’m finished drawing a comic, it’s done for me. It’s over. Everything that happens outside of that, with it being published and people reading it or writing […]
I don’t really work with people who give me feedback [on my comics], because I just want to do what I want to do.