It’s at the literary end of comics you sense a narrowing of the range, the main strand being a sort of studied Pekarian drabness. You could call it […]
He [Micah Baldwin from Graphic.ly] wants to know “what will be the live music” of the comic book industry, which is a very interesting question for the CEO […]
Too many comic book covers are way too busy, crammed with far too much information, both visual and verbal that just becomes a dull noise.
There hasn’t been a more sophisticated comic released in the 25 years since, which I find profoundly depressing, because [Watchmen] was intended to be something that expanded the […]
Everybody is becoming [a superhero]. In the past I’ve tried to say, ‘Look, we are all crappy superheroes,’ because personal computers and mobile phone devices are things that […]
If I did a webcomic, maybe a million people would read it, but the New York Times would never review it. They [webcomics] still don’t have that legitimacy.
Comics are very expensive these days so I believe we have to pack as much story as possible into the pages.
Long form comics are different from strips. If a cartoonist wants their readers to stick with a 60-page story about their Moroccan grandmother’s struggle with Diabetes, they need […]
Je suis la roller girl, roller girl… Je suis la fille des bulles La Lolita des comics Une des plus dangereuses Des bandes dessinées Je suis la roller […]
Comic books are big business these days. When Hollywood isn’t adapting board games or remaking ’80s films, they often look to the pages of graphic novels and comics […]
I worked 12 hours a day, seven days a week for years. Being a comic book artist is like sentencing yourself to life imprisonment at hard labor in […]